Magasins Casino supermarché Vence - 06140

Weekly Discussion Thread - June 2nd to June 9th

NEXT WEEK

This Friday, June 7th, live from Turning Stone Resort and Casino in Verona, New York, ITS TIME for Zab Judah and Cletus "The Hebrew Hammer" Seldin. Between Judah's 44 wins and Seldin's 23 wins, they hold a combined total of 67 wins. According to BoxRec, Judah is the 25th best welterweight OF ALL TIME. He's been an undisputed champion of the world and he's fought many of the best fighters in modern history. Aside from a loss to Yves Ulysse that could've went either way if Seldin did better, Cletus is undefeated.
This Saturday, June 8th, live from MSG in New York and broadcast on DAZN, Middleweight ATG Gennady Golovkin will attempt a come back after the first loss of his career against undefeated prospect Steve Rolls. Also on the card, undefeated prospects Nikita "White Chocolate" Ababiy and Israil Madrimov return.
This Saturday, June 8th, live from Reno-Sparks Convention Center and broadcast on ESPN, Oscar Valdez will attempt his 6th defense of the WBO featherweight title against the undefeated Jason Sanchez. Undefeated prospects Andy Vences, Robson Conceicao (Olympic gold medalist), and Gabriel Flores Jr also return.

LAST WEEK

Andy "The Destroyer" Ruiz enters the history books and becomes the unified WBA, IBF, and WBO Heavyweight Champion of the World by handing Anthony Joshua the first defeat of his career.
Ivan Redkach knocks Devon Alexander the fuck out.
Ray Robinson stains Josh Kelly's undefeated record with a draw.
Katie Taylor becomes the undisputed lightweight champion of the world with a controversial majority decision.
Joshua Buatsi continues to impress against Marco Periban.
Callum Smith batters an overmatched N'Dam.
Willie Monroe decisions Hugo Centeno.
submitted by StaticEruption to Boxing [link] [comments]

Guía Sonic Adventure DX Director'S Cut! El Comienzo de una Gran Aventura!

HISTORIA DEL JUEGO:
Hace siglos, los dioses le dieron al planeta siete Chaos Emeralds. Dichas esmeraldas eran fuente de poder absoluto. Sin embargo, el poder absoluto corrompe absolutamente, y no pasó mucho tiempo antes de que explotaran guerras por el control del poder aparentemente ilimitado de las Esmeraldas. Esto enfureció a los dioses, quienes crearon una Master Emerald, para contener poderes que podrían controlar y neutralizar a las Esmeraldas del Chaos. Y con la Esmeralda Maestra vendría un espíritu guardián. Se dice que una sola tribu de equidnas enfureció al espíritu intentando robar las Esmeraldas del Chaos y arruinando el santuario que aquél estaba protegiendo; la tribu fue destruida en una noche, y el espíritu guardián nunca más fue visto. El monstruo fue entonces llamado "Chaos", el dios de la destrucción.

En el presente, el malvado Dr. Robotnik se entera de la leyenda de Chaos. Creyéndola cierta, busca y destruye la Esmeralda Maestra, liberando a Chaos en el proceso. El objetivo del Dr. Robotnik es controlar a Chaos, y usar sus poderes destructivos para conquistar el mundo. Cuando Sonic sabe de esto, él y sus amigos ponen manos a la obra para detener a Robotnik; pero ninguno de ellos conoce la historia de Chaos y su aprisionamiento en la Esmeralda Maestra. Poco a poco, gracias a las visitas de un espíritu de equidna llamada Tikal, se enteran de que ella se hizo amiga de Chaos, y la noche en que la tribu intentó robar las Esmeraldas, capturó a Chaos junto con ella misma dentro de la Esmeralda Maestra para evitar que aquél destruyera el mundo con su ira.
Ahora que Chaos ha sido liberado, Tikal le pide a Sonic que lo selle de nuevo en la Esmeralda Maestra. Sonic no está de acuerdo: atraparlo en la Esmeralda Maestra no detendrá su furia, solo la alimentará. Usando el poder de las Esmeraldas del Chaos para hacerse Super Sonic. Sonic lucha contra Chaos y lo vence, su ira neutralizada por el irresistible poder de la virtud. Con el mundo a salvo, Tikal y Chaos regresan al Plano Astral.

RESEÑA DEL VÍDEO:
Guía Sonic Adventure uno de los videojuegos al que mas cariño le tengo. En esta oportunidad tendremos que ayudar a Sonic a salvar el mundo. Están listos para vivir una aventura única llena de acción y grandes momentos?
En este primer capitulo nos enfrentaremos a Chaos, una criatura extraña creada al parecer por el Doctor Eggman, el villano N° 1 de Sonic. Luego nuestro querido amigo Tails tendra un tremendo accidente con su avion el cual se estrellara en la playa, nuestra segunda mision seria ir a buscarlo para ver si se encuentra bien. Y eso es todo por el primer capitulo amigos, espero que les guste un monton!!! Hasta la proxima.!!
No olvides visitar mi canal de Youtube, suscribirte y activar la campanita para estar al tanto de cada vídeo nuevo que subo, como gameplays, guías, trucos, etc. También déjame tu comentario para mejorar y ofrecerles un mejor entretenimiento cada día.. Saludos se les quiere.

☻☻☻ CANAL DE YOUTUBE☻☻☻
★ Canal de Youtube ☛ https://www.youtube.com/c/nezegamer
☻☻☻ MIS LISTAS DE REPRODUCCIÓN☻☻☻
★ League of Legends ☛ https://goo.gl/6rRFi4
★ Grand Thetf Auto San Andreas ☛ https://goo.gl/KdtS4g
★ Naruto Shippuden Ultimate Ninja 5 ☛ https://goo.gl/dJSyPK
★ Sonic Adventure DX ☛ https://goo.gl/2MRZeR
★ Yu-gi-oh Power of Chaos Yugi the Destiny ☛ https://goo.gl/nrK15J
★ Final Fantasy Tactics ☛ https://goo.gl/vgiENv
★ Star Wars Batlefront 2 ☛ https://goo.gl/8hLVSC
★ Batlefield 1942☛ https://goo.gl/w5SLp2

☻☻☻ Link de cada vídeo de esta serie☻☻☻
★El comienzo de una aventura ☛ https://youtu.be/VeBhUvl2Qgw
★Sonic vs Dr Eggman ☛ https://youtu.be/LzrVheyPGBw
★Patinando en la nieve ☛ https://youtu.be/7vUoM2aZ4Xw
★Jugando con sonic en un Casino☛ https://youtu.be/GZ1P63Qwfe8
★Sonic vs Knuckles y Chaos Fase 4 ☛ https://youtu.be/8IWPpxBPjXA
★Batalla en los cielos ☛ https://youtu.be/ldGIkDN-cvs
★Sonic y Amy en un Parque de Diversiones☛ https://youtu.be/9a5DeQ2FNG4
submitted by NezeGamer to u/NezeGamer [link] [comments]

All of the MPAA/CARA-rated films of 2010 (out of the 7,269 films released worldwide that year.)

G
  1. Elle: A Modern Cinderella Tale (Directors: John Dunson + Sean Dunson)
  2. High School Musical: China (Director: Shi-Zheng Chen)
  3. Little Gobie (Director: Tony Tang)
  4. Mandie and the Cherokee Treasure (Director: Joy Chapman)
  5. Nic & Tristan Go Mega Dega (Director: Cosmo Segurson)
  6. Once Upon An Island (Director: undisclosed)
  7. Ramona And Beezus (Director: Elizabeth Allen Rosenbaum)
  8. Santa’s Apprentice (Director: Luc Vinciguerra)
  9. Slow Moe (Director: Timothy J. Nelson)
  10. Space Dogs (Directors: Inna Evlannikova + Svyatoslav Ushakov)
  11. Strawberry Shortcake: The Glimmerberry Ball Movie (Director: Michael Hack)
  12. The Nutcrackers (Director: Alex Colls)
  13. The Secret World of Arrietty (Director: Hiromasa Yonebayashi)
  14. Toy Story III (Director: Lee Unkrich)
  15. You’re So Cupid! (Director: John Lyde)
PG
  1. A Cat In Paris (Directors: Jean-Loup Felicioli + Alain Gagnol)
  2. A Turtle’s Tale: Sammy’s Adventure (Director: Ben Stassen)
  3. A Woman (Director: Giada Colagrande)
  4. Adventures Of A Teenage Dragonslayer (Director: Andrew Lauer)
  5. Adventures In Wonderland (Director: Tim Burton)
  6. Alpha And Omega (Director: Anthony Bell + Ben Gluck)
  7. Arthur III: The War Of The Two Worlds (Director: Luc Besson)
  8. Beneath The Blue (Director: Michael D. Sellers)
  9. Breaking The Press (Director: Andrew Stevens)
  10. Cats & Dogs: The Revenge Of Kitty Galore (Director: Brad Peyton)
  11. Chasing 3000 (Director: Gregory J. Lanesey)
  12. Church (Directors: Foster V. Corder + Cory King)
  13. Cutback (Directors: Lance Bachelder + Johnny Remo)
  14. Despicable Me (Directors: Pierre Coffin + Chris Renaud)
  15. Diary Of A Wimpy Kid (Director: Thor Freudenthal)
  16. Do Dooni Chaar (Director: Habib Faisal)
  17. Expecting Mary (Director: Dan Gordon)
  18. Extraordinary Measures (Director: Tom Vaughan)
  19. Farmer’s Tan (Director: Brian Tetsuro)
  20. Flipped (Director: Rob Reiner)
  21. Fuchsia The Mini-Witch (Director: Johan Nijenhuis)
  22. Furry Vengeance (Director: Roger Kumble)
  23. Golf In The Kingdom (Director: Susan Streitfeld)
  24. Hot Summer Days (Directors: Tony Chan + Wing Shya)
  25. How To Train Your Dragon (Directors: Dean DeBlois + Chris Sanders)
  26. I Kissed A Vampire (Director: Chris Nolan)
  27. Ice Castles (Director: Donald Wrye)
  28. Just Wright (Director: Sanaa Hamri)
  29. Konferenz der Tiere (Director: Reinhard Klooss + Holger Tappe)
  30. Leap Year (Diector: Anand Tucker)
  31. Legend Of The Guardians: The Owls Of Ga’Hoole (Director: Zack Snyder)
  32. Let God Be The Judge (Director: Emmbre Perry)
  33. Letters To God (Directors: David Nixon + Patrick Doughtie)
  34. Letters To Juliet (Director: Gary Winick)
  35. Main Street (Main St.) (Director: John Doyle)
  36. Marmaduke (Director: Tom Dey)
  37. Meeks Cutoff (Director: Kelly Reichardt)
  38. Megamind (Director: Tom McGrath)
  39. Monster Cruise (Director: Jim Wynorski)
  40. My Girlfriend’s Boyfriend (Director: Daryn Tufts)
  41. Nanny McPhee Returns (Director: Susanna White)
  42. Not THe Messiah: He’s A Very Naughty Boy (Director Aubrey Powell)
  43. Not-So-Super Girl (Director: Abdul MalikIbn Al-Estefan)
  44. Open Season III (Director: Cody Cameron)
  45. Percy Jackson & The Olympians: The Lightning Thief (Director: Chris Columbus)
  46. Pure Country II: The Gift (Director: Christopher Cain)
  47. Reuniting The Rubins (Director: Yoav Factor)
  48. Rising Stars (Director: Daniel Millican)
  49. Rust (Director: Corbin Bernsen)
  50. Secretariat (Director: Randall Wallace)
  51. Shrek Forever After (Director: Mike Mitchell)
  52. Snowmen (Director: Robert Kirbyson)
  53. Sophie & Sheba (Director: Leif Bristow)
  54. Standing Ovation (Director: Stewart Raffill)
  55. Summer Eleven (Director: Joseph Kell)
  56. Suma Joe (Directors: Chris Armstrong + Clay Banks)
  57. TRON: Legacy (Director: Joseph Kosinski)
  58. Tangled (Directors: Nathan Greno + Byron Howard)
  59. The 5th Quarter (Director: Rick Bieber)
  60. The Christmas Bunny (Director: Tom Seidman)
  61. The Chronicles of Narnia: The Voyage of the Dawn Treader (Director: Michael Apted)
  62. The Dogfather (Director: Richard Boddington)
  63. The Extraordinary Adventures of Adèle Blanc-Sec (Director: Luc Besson)
  64. The Genesis Code (Directors: C. Thomas Howell + Patrick Read Johnson)
  65. The Guardians (Director: Chris Hummel)
  66. The Illusionist (Director: Sylvain Chomet)
  67. The Karate Kid (Director: Harald Zwart)
  68. The Last Airbender (Director: M. Night Shyamalan)
  69. The Last Song (Director: Julie Anne Robinson)
  70. The Nutcracker (in 3-D) (Director: Andrey Konchalovskiy)
  71. The Sorcerer’s Apprentice (Director: Jon Turteltaub)
  72. The Spy Next Door (Director: Brian Levant)
  73. The Way Home (Director: Lance W. Dreesen)
  74. To Love A Woman (Director: George Jiha)
  75. Tooth Fairy (Director: Michael Lembeck)
  76. Unitards (Director: Scott Featherstone)
  77. What If... (Director: Dallas Jenkins)
  78. What Would Jesus Do? (WWJD) (Director: Thomas Makowski)
  79. White Lion (Director: Michael Swan)
  80. Wildfire: The Arabian Heart (Director: Michael Vincent)
  81. Yogi Bear (Director: Eric Brevig)
  82. You Again (Director: Andy Fickman)
PG-13
  1. ‘Master Harold’...And The Boys (Director: Lonny Price)
  2. All American Zombie Drugs (Director: Alex Ballar)
  3. An Invisible Sign (Director: Marilyn Agrelo)
  4. Another Harvest Moon (Director: Greg Swartz)
  5. Another Year (Director: Mike Leigh)
  6. Bed + Breakfast: Love Is A Happy Accident (Director: Marcio Garcia)
  7. Before We Say Goodbye (Director Paul Davids)
  8. Between Kings And Queens (Director: Joy Dickson)
  9. Blood Done Sign My Name (Director: Jeb Stuart)
  10. Border Guardians Of Ackernon (Director: Paul Best)
  11. Browncoats: Redemption (Director: Michael C. Dougherty)
  12. Burlesque (Director: Steve Antin)
  13. Burning Bright (Director: Carlos Brooks)
  14. Charlie St. Cloud (Director: Burr Steers)
  15. Clash Of The Titans (Director: Louis Leterrier)
  16. Country Singer (Director: Mickey Reece)
  17. Country Strong (Director: Shana Feste)
  18. Crazy On The Outside (Director: Tim Allen)
  19. Date Night (Director: Shawn Levy)
  20. Dead Hollywood Blondes (Director: Deirdre McGill)
  21. Dear John (Director: Lasse Hallström)
  22. Detective Dee: Mystery Of The Phantom Flame (Director: Hark Tsui)
  23. Devil (Director: John Erick Dowdle)
  24. Dinner For Schmucks (Director: Jay Roach)
  25. Dog Jack (Director: Edward T. McDougal)
  26. Dylan Dog: Dead Of Night (Director: Kevin Munroe)
  27. Easy A (Director: Will Gluck)
  28. Eat Pray Love (Director: Ryan Murphy)
  29. Everything Nice (Director: Garrett Kelly)
  30. Exorcismus (Director: Manuel Carballo)
  31. Fair Game (Director: Doug Liman)
  32. Father Of Invention (Director: Trent Cooper)
  33. Fool For Love (Director: Charlie Nguyen)
  34. Freestyle (Director: Kolton Lee)
  35. Ghost From The Machine (Director: matt Osterman)
  36. Good Intentions (Director: Jim Issa)
  37. Greta (Director: Antonio de Santos)
  38. Griff The Invisible (Director: Leon Ford)
  39. Grown Ups (Director: Dennis Dugan)
  40. Guilt & Sentence (Director: Spencer T. Folmar)
  41. Gulliver’s Travels (Director: Rob Letterman)
  42. Harry Potter + The Deathly Hallows (Pt. 1) (Director: David Yates)
  43. Heaven Ain’t Hard To Find (Director: Neema Barnette)
  44. Hereafter (Director: Clint Eastwood)
  45. How Do You Know? (Director: James L. Brooks)
  46. In My Sleep (Director: Allen Wolf)
  47. Inception (Director: Christopher Nolan)
  48. Insidious (Director: James Wan)
  49. Iron Man II (Director: Jon Favreau)
  50. It’s Kind Of A Funny Story (Directors: Anna Boden + Rya Fleck)
  51. It’s A Wonderful Afterlife (Director: Gurinder Chadha)
  52. Jonah Hex (Director: Jimmy Hayward)
  53. Killers (Director: Robert Luketic)
  54. Knight And Day (Director: James Mangold)
  55. Knucklehead (Director: Michael W. Watkins)
  56. L'appât (Director: Yves Simoneau)
  57. Lebanon, PA. (Director: Ben Hickernell)
  58. Legendary (Director: Mel Damski)
  59. Leonie (Director: Hisako Matsui)
  60. Life As We Know It (Director: Greg Berlanti)
  61. Life, Above All (Director: Oliver Schmitz)
  62. Lifted (Director: Lexi Alexander)
  63. Light Of My Eyes (Director: Wael Ihsan)
  64. Little Big Soldier (Director: Ding Sheng)
  65. Little Fockers (Director: Paul Weitz)
  66. Lottery Ticket (Director: Erik White)
  67. Loving The Bad Man (Director: Péter Engert)
  68. Mooz-Lum (Director: Qasim Basir)
  69. Morning Glory (Director: Roger Michell)
  70. Mucha (Director: Berenika Maciejewicz)
  71. My Girlfriend’s Back (Director: Steven Ayromlooi)
  72. My Name Is Khan (Director: Karan Johar)
  73. My Own Love Song (Director: Olivier Dahan)
  74. Na izmene (Director: Aleksandr Atanesyan)
  75. No eres tú, soy yo (Director: Alejandro Springall)
  76. Of Gods And Men (Director: Xavier Beauvois)
  77. Our Family Wedding (Director: Rick Famuyiwa)
  78. Peacock (Director: Michael Lander)
  79. Phoonk II (Director: Milind Gadagkar)
  80. Preacher’s Kid (Director: Stan Foster)
  81. Prince Of Persia: The Sands Of Time (Director: Mike Newell)
  82. RED (Director: Robert Schwentke)
  83. Rabbit Hole (Director: John Cameron Mitchell)
  84. Redemption Road (Director: Mario Van Peebles)
  85. Remember Me (Director: Allen Coulter)
  86. Robin Hood (Director: Ridley Scott)
  87. Salt (Director: Phillip Noyce)
  88. Sarah’s Key (Director: Gilles Paquet-Brenner)
  89. Scott Pilgrim vs. The World (Director: Edgar Wright)
  90. Sheriff Of Contention (Director: Tom O’Mary)
  91. Skateland (Director: Anthony Burns)
  92. Skyline (Directors: Colin Strause + Greg Strause)
  93. Step Away From The Stone (Director: Bob Hooper)
  94. Step Up 3D (Director: Jon M. Chu)
  95. Stomp The Yard II: Homecoming (Director: Rob Hardy)
  96. Street Corner Sympathy (Director: Andrew C. Matthews)
  97. StreetDance 3D (Directors: Max Giwa + Dania Pasquini)
  98. Super Hybrid (Director: Eric Valette)
  99. Takers (Director: John Luessenhop)
  100. The A-Team (Director: Joe Carnahan)
  101. The Back-Up Plan (Director: Alan Poul)
  102. The Bounty Hunter (Director: Andy Tennant)
  103. The Butcher, the Chef, and the Swordsman (Director: Wuershan)
  104. The Chosen One (Director: Rob Schneider)
  105. The Conspirator (Director: Robert Redford)
  106. The Estates (Director: T.J. Yoshizaki)
  107. The First Grader (Director: Justin Chadwick)
  108. The Ghost Writer (Director: Roman Polanski)
  109. The Grace Card (Director: David G. Evans)
  110. The Hammer (Director: Oren Kaplan)
  111. The Incubus (Directors: Marcie Gorman + Shayne Leighton)
  112. The Last Exorcism (Director: Daniel Stamm)
  113. The Last Godfather (Director: Hyung-rae Shim)
  114. The Losers (Director: Sylvain White)
  115. The Magnificent Dead (Director: Shane Scott)
  116. The Mitchell Tapes (Director: Thomas S. Nicol)
  117. The Next Three Days (Director: Paul Haggis)
  118. The Presence (Director: Tom Provost)
  119. The Rally (Director: Rick Reyna)
  120. The Righteous And The Wicked (Director: Craig A. BButler)
  121. The River Why (Director: Matthew Leutwyler)
  122. The Road To Freedom (Director: Brendan Moriarty)
  123. The Rock ‘n’ Roll Dreams Of Duncan Christopher (DIrectro: Justin S. Monroe)
  124. The Romantics (Director: Galt Niederhoffer)
  125. The Social Network (Director: David Fincher)
  126. The Switch (Directors: Josh Gordon + Will Speck)
  127. The Tempest (Director: Julie Taymor)
  128. The Tourist (Director: Florian Henckel von Donnersmarck)
  129. The Trial (Director: Gary Wheeler)
  130. The Twilight Saga: Eclipse (Director: David Slade)
  131. The Way (Director: Emilio Estevez)
  132. The Way (Director: Barry Shay)
  133. The Way Back (Director: Peter Weir)
  134. Theft By Deception (Director: David Dietrich)
  135. Time Machine (Director: Mickey Reece)
  136. Trapped: Haitian Nights (Director: Jean-Claude La Marre)
  137. Trollhunter (Director: André Øvredal)
  138. True Grit (Director: Joel Coen)
  139. Unstoppable (Director: Tony Scott)
  140. Valentine’s Day (Director: Garry Marshall)
  141. Vampires Suck (Director: Jason Friedberg + Aaron Seltzer)
  142. Vigilante: The Hayward Brown Story (Director: Sean Spoatcoat Brown)
  143. Vinnaithaandi Varuvaayaa (Director: Gautham Menon)
  144. Waiting For Forever (Director: James Keach)
  145. Wall Street: Money Never Sleeps (Director: Oliver Stone)
  146. Ways To Live Forever (Director: Gustavo Ron)
  147. When In Rome (Director: Mark Steven Johnson)
  148. Why Did I Get Married Too? (Director: Tyler Perry)
  149. Wild Target (Director: Jonathan Lynn)
  150. Wushu Warrior (Director: Alain Desrochers)
  151. Ye Maaya Chesave (Director: Gautham Menon)
R
  1. 127 Hours (Director: Danny Boyle)
  2. 13 (Director: Géla Babluani)
  3. 13 Assassins (Director: Takashi Miike)
  4. 14 Blades (Director: Daniel Lee)
  5. 15 Till Midnight (Director: Wolfgang Meyer)
  6. 2001 Maniacs: Field Of Screams (Director: Tim Sullivan)
  7. 3 Backyards (Director: Eric Mendelsohn)
  8. 6 Souls (Directors: Måns Mårlind + Björn Stein)
  9. A Beginner’s Guide To Endings (Directors: Jonathan Sobol)
  10. A Better Tomorrow (Director: Hae-sung Song)
  11. A Horrible Way To Die (Director: Adam Wingard)
  12. A Little Help (Director: Michael J. Weithorn)
  13. A Nightmare On Elm Street (Director: Samuel Bayer)
  14. A River Of Skulls (Director: Suza Lambert Bowser)
  15. A Very Close Encounter (Director: Esmaeil Mihandoost)
  16. Abelar: Tales Of An Ancient Empire (Director: Albert Pyun)
  17. Acts Of Violence (Director: Il Lim)
  18. Adjusting Honor (Director: Jeff Solema)
  19. Airmen (Director: Mickey Reece)
  20. All Good Things (Director: Andrew Jarecki)
  21. Altitude (Director: Kaare Andrews)
  22. Am I Alone? (Director: B.E. Rogstad)
  23. American Scream King (Director: Joel Paul Reisig)
  24. Amigo (Director: John Sayles)
  25. Amphibious Creature Of The Deep (Director: Brian Yuzna)
  26. And Soon The Darkness (Director: Marcos Efron)
  27. Anderson’s Cross (Director: Jerome Elston Scott)
  28. Angel Of Evil (Director: Michele Placido)
  29. Animal Kingdom (Director: David Michôd)
  30. As Good As Dead (Director: Jonathan Mossek)
  31. Atrocious (Director: Fernando Barreda Luna)
  32. BKO: Bangkok Knockout (Director: Panna Rittikrai)
  33. Baby Mama’s Club (Director: Joseph L. Stovall)
  34. Barney’s Version (Director: Richard J. Lewis)
  35. Barry Munday (Director: Chris D’Arienzo)
  36. Bear (Director: Roel Reiné)
  37. Beatdown (Director: Mike Gunther)
  38. Beautiful Boy (Director: Shawn Ku)
  39. Beginners (Director: Mike Mills)
  40. Beneath Hill 60 (Director: Jeremy Sims)
  41. Beneath The Dark (Director: Chad Feehan)
  42. Bereavement (Director: Stevan Mena)
  43. Beyond The Black Rainbow (Director: Panos Cosmatos)
  44. Big Money Rustlas (Director: Paul Andresen)
  45. Biutiful (Director: Alejandro González Iñárritu)
  46. Black Death (Director: Christopher Smith)
  47. Black Limousine (Director: Carl Colpaert)
  48. Black Swan (Director: Darren Aronofsky)
  49. Blades Of Blood (Director: Joon-ik Lee)
  50. Blame (Director: Michael Henry)
  51. Bloodworth (Director: Shane Dax Taylor)
  52. Blue Valentine (Director: Derek Cianfrance)
  53. Bold Native (Director: Denis Henry Hennelly)
  54. Born To Raise Hell (Director: Lauro Chartrand)
  55. Boy Wonder (Director: Michael Morrissey)
  56. Breaking The Fall (Director: David Metzger)
  57. Brighton Rock (Director: Rowan Joffe)
  58. Brotherhood (Director: Will Canon)
  59. Bunraku (Director: Guy Moshe)
  60. Buried (Director: Rodrigo Cortés)
  61. Burke And Hare (Director: John Landis)
  62. Burning Palms (Director: Christopher Landon)
  63. Ca$h (Director: Stephen Milburn Anderson)
  64. Caged Animal (Wrath Of Cain) (Director: Ryan Combs)
  65. Camp Hell (Director: George VanBuskirk)
  66. Cartel War (Directors: Jack Lucarelli + Troy Price)
  67. Casino Jack (Director: George Hickenlooper)
  68. Caught Inside (Director: Adam Blaiklock)
  69. Caught In The Crossfire (Director: Brian A. Miller)
  70. Cemetery Junction (Directors: Ricky Gervais + Stephen Merchant)
  71. Centurion (Director: Neil Marshall)
  72. Ceremony (Director: Max Winkler)
  73. Champion Road: Arena (Director: R.L. Scott)
  74. Chatroom (Director: Hideo Nakata)
  75. Cherry (Director: Jeffrey Fine)
  76. Cielito lindo (Directors: Alejandro Alcondez + Rodrigo Patino)
  77. Circus Maximus (Director: Thomas J. La Sorsa)
  78. Code Blue (Director: Arthur Alston)
  79. Consinsual (Director: Paul D. Hannah)
  80. Conviction (Director: Tony Goldwyn)
  81. Cop Out (Director: Kevin Smith)
  82. Cost Of A Soul (Director: Sean Kirkpatrick)
  83. Costa Rican Summer (Director: Jason Matthews)
  84. Cupid’s Arrow (Director: Daniel Peterson)
  85. Cyrus (Directors: Jay Duplass + Mark Duplass)
  86. Dark Crossing (Director: Damian Chapa)
  87. Darnell Dawkins: Mouth Guitar Legend) (Director: Clayne Crawford)
  88. Daydream Nation (Director: Michael Goldbach)
  89. Dead Awake (Director: Omar Naim)
  90. Deadly Closure (Director: Andrzej Mrotek)
  91. Deadly Impact (Director: Robert Kurtzman)
  92. Dear Mr. Gacy (Director: Svetozar Ristovski)
  93. DearGod (Director: Robert Anderson)
  94. Death Calls (Directors: Ken Del Conte + Hector Echavarria)
  95. Death At A Funeral (Director: Neil LaBute)
  96. Dirty Girl (Director: Abe Sylvia)
  97. Don’t Be Afraid Of The Dark (Director: Troy Nixey)
  98. Dreamkiller (Director: Catherine C. Pirotta)
  99. Drones (Directors: Amber Benson + Adam Busch)
  100. Due Date (Director: Todd Phillips)
  101. Easy Money (Director: Daniel Espinosa)
  102. Edge Of Darkness (Director: Martin Campbell)
  103. Egg Nog (Director: Brandon Robinson)
  104. Elektra Luxx (Director: Sebastian Gutierrez)
  105. Endure (Director: Joe O’Brien)
  106. Enemies Among Us (Director: Dan Garcia)
  107. Every Day (Director: Richard Levine)
  108. Everyday Black Man (Director: Carmen Madden)
  109. Everything Must Go (Director: Dan Rush)
  110. F (Expelled) (Director: Johannes Roberts)
  111. Failing Better Now (Director: Keren Atzmon)
  112. Faster (Director: George Tillman, Jr.)
  113. Fighting Angels: Exodus (Director: Eric Vence Gfreen)
  114. Fire Of Conscience (Director: Dante Lam)
  115. Flying Lessons (Director: Derek Magyar)
  116. Footsteps (Director: Gavin James)
  117. For Colored Girls (Director: Tyler Perry)
  118. Four Lions (Director: Christopher Morris)
  119. Frankie + Alice (Director: Geoffrey Sax)
  120. Freeway Killer (Director: John Murlowski)
  121. From Paris With Love (Director Pierre Morel)
  122. Frozen (Director: Adam Green)
  123. Fubar: Balls To The Wall (Director: Michael Dowse)
  124. Gangster Exchange (Director: Dean Bajramovic)
  125. Get Him To The Greek (Director: Nicholas Stoller)
  126. Ghetto Physics (Directors: William Arntz + E. Raymond Brown)
  127. Going The Distance (Director: Nanette Burstein)
  128. Good Neighbors (Director: Jacob Teirney)
  129. Green Zone (Director: Paul Greengrass)
  130. Greenberg (Director: Noah Baumbach)
  131. Gun (Director: Jessy Terrero)
  132. Happy, Happy (Director: Anne Sewitsky)
  133. Happythankyoumoreplease (Director: Josh Radnor)
  134. Hard Breakers (Director: Leah Sturgis)
  135. Harvest (Director: Marc Meyers)
  136. Hatchet II (Director: Adam Green)
  137. Henry’s Crime (Director: Malcolm Venville)
  138. Hesher (Director: Spencer Susser)
  139. High School (Director: John Stalberg, Jr.)
  140. Hitler’s Grave (Director: Daryush Shokof)
  141. Holy Rollers (Director: Kevin Asch)
  142. Hot Tub Time Machine (Director: Steve Pink)
  143. House Under Siege (Director: Mark Hazen Kelly)
  144. How To Make Love To A Woman (Director: Scott Culver)
  145. Howl (Directors: Rob Epstein + Jeffrey Friedman)
  146. Hunt To Kill (Director: Keoni Waxman)
  147. I Spit On Your Grave (Director: Steven R. Monroe)
  148. I’m Not Jesus, Mommy (Director: Vaughn Juares)
  149. I’m Not Like That No More (Director: Christian Sesma)
  150. I’m Still Here (Director: Casey Affleck)
  151. Illegal (Director: Ric DuPont)
  152. Immigration Tango (Director: David Burton Morris)
  153. In A Better World (Director: Susanne Bier)
  154. Incendies (Director: Denis Villeneuve)
  155. Indelible (Director: Brian Lynch)
  156. Inhale (Director: Baltasar Kormákur)
  157. Ip Man II (Director: Wilson Yip)
  158. Iran Zendan (Director: Daryush Shokof)
  159. Irreversi (Director: Michael Gleissner)
  160. Jack Goes Boating (Director: Philip Seymour Hoffman)
  161. Jackers (Director: David Betances)
  162. Junkyard Dog (Director: Kim Bass)
  163. Kalamity (Director: James M. Hausler)
  164. Karma Road (Director: Mihir Pathak)
  165. Kick-Ass (Director: Matthew Vaughn)
  166. Kill Katie Malone (Director: Carlos Ramos, Jr.)
  167. Kill Speed (Director: Kim Bass)
  168. Killer Hoo-Ha! (Director: Sean Pomper)
  169. King Of Triads (Director: Dennis Law)
  170. King Of The Avenue (Director: Ryan Combs)
  171. Klown (Director: Mikkel Nørgaard)
  172. Last Kung Fu Monk (Director: Peng Zhang Li)
  173. Last Night (Director: Massy Tadjedin)
  174. Legacy: Black Ops (Director: Thomas Eromose Ikimi)
  175. Legend Of the Fist: The Return Of Chen Zhen (Director: Wai-Keung Lau)
  176. Legion (Director: Scott Stewart)
  177. Let Me In (Director: Matt Reeves)
  178. Living Will... (Director: Matthew Lauyer)
  179. Locked Down (Director: Daniel Zirilli)
  180. Locked In (Director: Suri Krishnamma)
  181. London Boulevard (Director: William Monahan)
  182. Louis (Director: Dan Pritzker)
  183. Love & Other Drugs (Director: Edward Zwick)
  184. Love Ranch (Director: Taylor Hackford)
  185. Luster (Director: Adam Mason)
  186. MacGruber (Director: Jorma Taccone)
  187. Machete (Directors: Ethan Maniquis + Robert Rodriguez)
  188. Machete Joe (Director: Sasha Krane)
  189. Made In Dagenham (Director: Nigel Cole)
  190. Meet Monica Velour (Director: Keith Bearden)
  191. Mercy (Director: Coier Amerson)
  192. Meskada (Director: Josh Sternfeld)
  193. Miral (Director: Julian Schnabel)
  194. Miss Nobody (Director: Abram Cox)
  195. Mob Rules (Director: Keith Parmer)
  196. Monsters (Director: Gareth Edwards)
  197. Morning (Director: Leland Orser)
  198. Mother’s Day (Director: Darren Lynn Bousman)
  199. Multiple Sarcasms (Director: Brooks Branch)
  200. My Soul To Take (Director: Wes Craven)
  201. N-Secure (Director: David M. Matthews)
  202. Needle (Director: John V. Soto)
  203. Neowolf (Director: Yvan Gauthier)
  204. Never Let Me Go (Director: Mark Romanek)
  205. Night Catches Us (Director: Tanya Hamilton)
  206. Night Wolf (Director: Jonathan Glendening)
  207. Nine Dead (Director: Chris Shadley)
  208. No Body Found (Directors: Angela Lyons + Angela Rollo)
  209. No Leaf Clover (Director: Andrei Sporea)
  210. Norman (Director: Jonathan Segal)
  211. Once Fallen (Director: Ash Adams)
  212. Ong-bak III (Directors: Tony Jaa + Panna Rittkrai)
  213. Open House (Director: Andrew Paquin)
  214. Operation: Endgame (Director: Fouad Mikati)
  215. Oranges And Sunshine (Director: Jim Loach)
  216. Order Of Chaos (Director: Vince Vieluf)
  217. Outcast (Director: Colm McCarthy)
  218. Outrage (Director: Takeshi Kitano)
  219. Paranormal Activity II (Director: Tod Williams)
  220. Passion Play (Director: Mitch Glazer)
  221. Peep World (Director: Barry W. Blaustein
  222. Perfect Combination (Director: Trey Haley)
  223. Perfect Life (Director: Josef Rusnak
  224. Perfect Sunday (Director: Demetrius Navarro)
  225. Phase 7 (Director: Nicolás Goldbart)
  226. Pickin’ & Grinnin (Director: Jon Gries
  227. Piranha 3D (Director: Alexandre Aja)
  228. Placebo (Director: Nick Slatkin)
  229. Please Give (Director: Nicole Holofcener)
  230. Point Blank (Director: Fred Cavayé)
  231. Porters: Two Men And A Sex Doll (Director: Justin Arredondo)
  232. Potiche (Director: François Ozon)
  233. Predators (Director: Nimród Antalj)
  234. Prowl (Director: Patrik Syversen)
  235. Psych:9 (Director: Andrew Shortell)
  236. Psychic Experiment (Director: Mel House)
  237. Psychosis (Director: Reg Traviss)
  238. Queen Of The Lost (Director: Henry Jaglom)
  239. Radio Free Albemuth (Director: John Alan Simon)
  240. Rammbock (Director: Marvin Kren)
  241. Rare Exports: A Christmas Tale (Director: Jalmari Helander)
  242. Raven (Director: Gregori J. Martin)
  243. Red Hill (Director: Patrick Hughes)
  244. Redlight Greenlight (Director: Sean Simpson)
  245. Reign Of Assassins (Director: Chao-Bin Su)
  246. Release (Directors: Darren Flaxstone + Christian Martin)
  247. Removal (Director: Nick Simon)
  248. Repo Men (Director: Miguel Sapochnik)
  249. Resident Evil: Afterlife (Director: Paul W.S. Anderson)
  250. Respire (Director: David A. Cross)
  251. Road Kill (Director: Dean Francis)
  252. Road To Nowhere (Director: Monte Hellman)
  253. Rocksteady (Director: Mustapha Khan)
  254. Rubber (Director: Quentin Dupieux)
  255. Sacrifice (Director: Kaige Chen)
  256. Saigo no Chûshingura (Director: Shigemichi Sugita)
  257. Saw 3D: The Final Chapter (Director: Kevin Greutert)
  258. Scorpio Men On Prozac (Director: Rand Marsh)
  259. Screwball: The Ted Whitfield Story (Director: Tommy Reid)
  260. Sedona’s Rule (Director: Josh Gillick)
  261. Seducing Charlie Baker (Director: Amy Glazer)
  262. Sex Tax: Based On A True Story (Director: John Borges)
  263. Sex And The City II (Director: Michael Patrick King)
  264. Señora Maestra (Director: Ricardo Perez-Roulet)
  265. Shadows & Lies (Director: Jay Anania)
  266. Shanghai (Director: Mikael Håfström)
  267. Shanghai Blue (Director: Oscar L. Costo)
  268. She’s Out Of My League (Director: Jim Field Smith)
  269. Shinigami: Analysis (Director: Justin Burgess)
  270. Shoot The Hero (Director: Christian Sesma)
  271. Shut Up And Kiss Me (Director: Devin Hamilton)
  272. Shutter Island (Director: Martin Scorsese)
  273. Sinners And Saints (Director: William Kaufman)
  274. Siren (Director: Andrew Hull)
  275. Six Shooters (Director: Fernando Spiner)
  276. Small Town Murder Songs (Director: Ed Gass-Donnelly)
  277. Small Town Saturday Night (Director: Ryan Craig)
  278. Something Better Somewhere Else (Director: Ron Lazzeretti)
  279. Something Like A Business (Director: Russ Parr)
  280. Somewhere (Director: Sofia Coppola)
  281. Sound Of Noise (Directors: Ola Simonsson, Johannes Stjärne Nilsson)
  282. Special Ops (Director: Tom Shell)
  283. Speed-Dating (Director: Joseph A. Elmore, Jr.)
  284. Stake Land (Director: Jim Mickle)
  285. Stay Single (Director: Peter Macaluso)
  286. Stiffs (Director: Frank Ciota)
  287. Stone (Director: John Curran)
  288. Straight To Hell (Director: Alex Cox)
  289. Street Poet (Director: E. Paul Edwards)
  290. Submarine (Director: Richard Ayoade)
  291. Suicide Girls Must Die! (Director: Sarah Remetch)
  292. Super (Director: James Gunn)
  293. Supreme Champion (Directors: Ted Fox + Richard Styles)
  294. Sympathy For Delicious (Director: Mark Ruffalo)
  295. Tamara Drewe (Director: Stephen Frears)
  296. Tekken (Director: Dwight H. Little)
  297. Terror Trap (Director: Dan Garcia)
  298. The Accursed (Director: Adrián García Bogliano + Ramiro García Bogliano)
  299. The Agency: Pursuit Of The Ares Virus
  300. The Alien Girl (Director: Anton Bormatov)
  301. The American (Director: Anton Corbijn)
  302. The Assault (Director: Julien Leclercq)
  303. The Bang Bang Club (Director: Steven Silver)
  304. The Beekeepers (Director: Bryant Mainord)
  305. The Best And The Brightest (Director: Josh Shelov)
  306. The Big Bang (Director: Tony Krantz)
  307. The Big I Am (Director: Nic Auerbach)
  308. The Big Sleaze (Director: Michael Fredianelli)
  309. The Book Of Eli (Director: Albert Hughes + Allen Hughes)
  310. The Brazen Bull (Director: Douglas Elford-Argent)
  311. The Chameleon (Director: Jean-Paul Salomé)
  312. The Child’s Eye (Directors: Danny Pang + Oxide Chun Pang)
  313. The Clinic (Director: James Rabbitts)
  314. The Company Men (Director: John Wells)
  315. The Con Artist (Director: Risa Bramon Garcia)
  316. The Crazies (Director: Breck Eisner)
  317. The Dead (Directors: Howard J. Ford + Jonathan Ford)
  318. The Dead Undead (Directors Matthew R. Anderson + Edward Conna)
  319. The Debt (Director: John Madden)
  320. The Dry Land (Director: Ryan Piers Williams)
  321. The Expendables (Director: Sylvester Stallone)
  322. The Experiment (Director: Paul Scheuring)
  323. The Extra Man (Directors: Shari Springer Berman + Robert Pulcini)
  324. The Fighter (Director: David O. Russell)
  325. The Final (Director: Joey Stewart)
  326. The Final Storm (Director: Uwe Boll)
  327. The Freebie (Director: Katie Aselton)
  328. The Heavy (Director: Marcus Warren)
  329. The Hooker With A Heart Of Gold (Director: Brad Jones)
  330. The Kane Files: Life Of Trial (Director: Benjamin Gourley)
  331. The Kids Are All Right (Director: Lisa Cholodenko)
  332. The Killer Inside Me (Director: Michael Winterbottom)
  333. The Killing Jar (Director: Mark Young)
  334. The Killing Machine (Director: Dolph Lundgren)
  335. The King’s Speech (Director: Tom Hooper)
  336. The Last Circus (Director: Álex de la Iglesia)
  337. The Last Rites Of Ransom Pride (Director: Tiller Russell)
  338. The Lazarus Papers (Director: Jeremiah Hundley)
  339. The Locksmith (Directors: Brad Barnes + Todd Barnes)
  340. The Man From Nowhere (Director: Jeong-beom Lee)
  341. The Maze (Director: Stephen Shimek)
  342. The Mulberry Tree (Director: Mark Heller)
  343. The Names Of Love (Director: Michel Leclerc)
  344. The Opium Eater (Director: David Bertelsen)
  345. The Other Guys (Director: Adam McKay)
  346. The Pack (Director: Franck Richard)
  347. The Penthouse (Director: Chris Levitus)
  348. The Perfect Host (Director: Nick Tomnay)
  349. The Reeds (Director: Nick Cohen)
  350. The Reef (Director: Andrew Traucki)
  351. The Rig (Director: Peter Atencio)
  352. The Runaways (Director: Floria Sigismondi)
  353. The Sylvian Experiments (Director: Hiroshi Takahashi)
  354. The Town (Director: Ben Affleck)
  355. The Traveler (Director: Michael Oblowitz)
  356. The Trouble With Terkel (Directors: Thorbjørn Christoffersen, Stefan Fjeldmark + Randolph Kret)
  357. The Violent Kind (Directors: Mitchell Altieri + Phil Flores)
  358. The Virginity Hit (Directors: Huck Botko + Andrew Gurland)
  359. The Ward (Director: John Carpenter)
  360. The Warrior’s Way (Director: Sngmoo Lee)
  361. The Whistleblower (Director: Larysa Kondracki)
  362. The Wolfman (Director: Joe Johnston)
  363. The Yellow Sea (Director: Hong-jin Na)
  364. Tomorrow, When The War Began (Director: Stuart Beattie)
  365. Tracker (Director: Ian Sharp)
  366. Trance (Director: Hans Rodionoff)
  367. Transparency (Director: Raul Inglis)
  368. Triple Dog (Director: Pascal Franchot)
  369. True Legend (Director: Woo-Ping Yuen)
  370. Trust (Director: David Schwimmer)
  371. Tucker And Dale vs. Evil (Director: Eli Craig)
  372. Twelve (Director: Joel Schumacher)
  373. Ultramarines: A Warhammer 40,000 Movie ((Director: Martyn Pick)
  374. Undisputed III: Redemption (Director: Isaac Florentine)
  375. Unrivaled (Director: Warren P. Sonoda)
  376. Unthinkable (Director: Gregor Jordan)
  377. Vanishing On 7th Street (Director: Brad Anderson)
  378. Venus & Vegas (Director: Demian Lichtenstein)
  379. Virginia (Director: Dustin Lance Black)
  380. Virus X (Director: Ryan Stevens Harris)
  381. Viva Riva! (Director: Djo Munga)
  382. Waking Madison (Director: Katherine Brooks)
  383. Waldo The Dog (Director: Kris Canonizado)
  384. Wasted On The Young (Director: Ben C. Lucas)
  385. Welcome To The Rileys (Director: Jake Scott)
  386. Westbrick Murders (Director: Shaun Rana)
  387. White Irish Drinkers (Director: John Gray)
  388. Wigger (Director: Omowale Akintunde)
  389. Win/Win (Director: Jaap van Heusden)
  390. Winter’s Bone (Director: Debra Granik)
  391. Wreckage (Director: John Asher)
  392. Wrecked (Director: Michael Greenspan)
  393. YellowBrickRoad (Directors: Jesse Holland + Andy Mitton)
  394. You Will Meet A Tall Dark Stranger (Director: Woody Allen)
NC-17
  1. A Serbian Film (Director: Srdjan Spasojevic)
  2. Burn Out The Day (Directors: Sean Bohary + Cinqué Lee)
  3. El Narco (Director: Luis Estrada)
submitted by tombstoneshadows28 to movies [link] [comments]

May 1933: The Woolfs’ Trip to France and Italy

Throughout the month of May in 1933, Woolf took a trip through the continent, visiting several different cities in France and Italy. As in my previous transcription of a day in Woolf’s trip to Greece, this month of Woolf’s diary-keeping contains some of her best entries. The following are entries Woolf made on loose-leaf paper later inserted into her diary.
Tuesday 9 May
Juan les Pins
Yes, I thought: I will make a note of that face—the face of the woman stitching a very thin, lustrous green silk a a table in the restaurant where we launched at Vienne. She was like fate—a consummate mistress of all the arts of self preservation: hair rolled & lustrous; eyes so nonchalant; nothing could startle her; there she sat stitching her green silk with people going & coming all the time; she not looking, yet knowing, fearing nothing, expecting nothing—a perfectly equipped middle class French woman.
At Carpentras last night there was the little servant girl with honest eyes, hair brushed in a flop, & one rather black tooth. I felt that life would crush her out inevitable. Perhaps 18. not more; yet on the wheel, without hope; poor, not weak but mastered—yet not enough mastered but to desire furiously travel, for a moment, a car. Ah but I am not rich she said to me—which her cheap little stockings & shoes showed anyhow. Oh how I envy you—able to travel. You like Carpentras? But the wind blows ever so hard. You’ll come again? Thats the bell ringing. Never mind. Come over here & look at this. No, I’ve never seen anything like it. Ah yes, she always like the English (‘She’ was the other maid, with hair like some cactus erection). Yes I always like the English she said. The odd little honest face, with the black tooth, will stay on at Carpentras I supposed: will marry? Will become one of those stout black women who sit in the door knitting? No: I foretell for her some tragedy; because she had enough mind to envy us the Lanchester.
Thursday 11 May
Rapallo
Yesterday there was Miss Cotton. She is one of the army of spinsters, on half or quarter par. She finds she can live at Diano Marina for 8/- a day. Her friends say But what is there to do? She says, of there are the beauties of nature. She burst out, directly she came in to dinner, dressed in greenish dressing gown: by her side the dour Miss Thread. How was France? Was it cheap? Oh it was Liberty Hall here. Then she described the wife, the husband, of the inn: & the servants; & how there had once been an Earthquake. Meanwhile came in the 2 guests [?] in evening dress, the deaf lady & the voluble; also the powdered white lady with the read scarf: & after dinner—they often give us asparagus, she said—& they had their own bottles of wine—the two parties settled in at their own tables—where they are now & played bridge. Now this half pay spinster will dwindle on, beside the sea under the mountain, chatting, till she dies.
No we dont like the French Riviera, or the Italian much; but if it has to be, Rapallo does it best: its bay stretched with gold silk this evening, humming scented villas; all orange blossom. Quiet women reading to children, little boats, high cliffs; a sauntering indolent luxurious evening place, where once might spend ones last penny; grown old.
But we don’t like these villas—like the Bussys’—laid like eggs on ledges, so that you cant go up or down but must merely sit, & for ever behold the sea & the roof of the Casino. Dorothy & Janie taking their coffee like ladies in a perfectly neat, spaced, yellow room with a large leaved tree outside;—the tree Dorothy & Simon planted 30 years ago. But we dont wish to live here, shredding out our days, in these scented villas, sauntering round the harbour.
Friday 12 May
Pisa
Yes Shelley chose better than Max Beerbohm. He chose a harbour; a bay; & his home, with a balcony, on which Mary stood, looks out across the sea. Sloping sailed boats were coming in this morning—a windy little town, of high pink & yellow Southern houses, not much changed I supposed; very full of the breaking waves, very much open to the sea; & the rather desolate house standing with the sea just in front. Shelley, I suppose, bathed, walked sat on the beach there; & Mary & Mrs Williams had their coffee on the balcony. I daresay the clothes & the people were much the same. At any rate, a very good great man’s house in its way. What is the word for full of the sea? Cant think tonight, sky high in a bedroom at the Nettuno in Pisa, much occupied by French tourists. The Arno swimming past with the usual coffee coloured foam. Walked in the Cloisters; that this true Italy, with the old dusty smell; people swarming in the streets; under the—what is the word for—I think the word for a street that has pillars is Arcade. Shelley’s house waiting by the sea, & Shelley not coming, & Mary & Mrs Williams watching from the balcony & then Trelawney coming from Pisa, & burning the body on the shore—thats in my mind. All the colours here are white bluish marble against a very light saturated sky. The tower leaning prodigiously. Clerical beggar at the door in a mock fantastic leather had. The clergy walking.
It was in these cloisters—Campo Santo—that L. & I walked 21 years ago & met the Palgraves & I tried to hide behind the pillars. And now we come in our car; & the Palgraves—are they dead, or very old? Now at any rate we have left the black country, the bald necked vulture country with its sprinkling of redroofed villas. This is the Italy one used to visit in a railway train with Violet Dickinson—taking the hotel bus.
Saturday 13 May
Siena
Today we saw the most beautiful of views & the melancholy man. The view was like a line of poetry that makes itself; the shaped hill, all flushed with reds & greens; the elongated lines, cultivated every inch; old, wild, perfectly said, once & for all: & I walked up to a group & said What is that village? It called itself [blank in ms]; & the woman with the blue eyes said wont you come to my house & drink? She was famished for talk. Four or five of them buzzed round us, & I made a Circeronian speech, about the beauty of the country. But I have no money to travel with, she said, wringing her hands. We would not go to her house—or cottage on the side of the hill, & shook hands; hers were dusty; she wanted to keep them from me; but we all shook hands, & I wished we had gone to her house, in the loveliest of all landscapes. Then, lunching by the river among the ants, we met the melancholy man. He had five or six little fish in his hands, which he had caught in his hands. We said it was very beautiful country; & he said no, he preferred the town. He had been to Florence; no, he did not like the country. He wanted to travel, but had no money: worked at some village; no he did not like the country, he repeated, with his gentle cultivated voice; no theatres, no pictures, only perfect beauty. I gave him 2 cigarettes; at first he refused, then offered us his 6 or 7 little fish. But we could not cook them at Siena, we said. No, he agreed; & so we parted.
It is all very well, saying one will write notes but writing is a very difficult art. That is one had always to select; & I am too sleepy, & hence merely run sand through my fingers. Writing is not in the least an easy art. Thing what to write, it seems easy; but the thought evaporates, runs hither & thither. Here we are in the noise of Siena—the vast tunneled arched stone town, swarmed over by chattering shrieking children.
Monday 15 May
This should be all description—I mean of the little pointed green hills; & the white oxen, & the poplars, & the cypresses, & the sculptured shaped infinitely musical, flushed green land from here to Abbazia—that is where we went today; & couldn’t find it, & asked one after another of the charming tired peasants, but none had been 4 miles beyond their range, until we came to the stone breaking, & he knew. He could not stop work to come with us, because the inspector was coming tomorrow. And he was alone, alone, all day with no one to talk to. So was the aged Maria at the Abbazio. And she mumbled & mumbled, about the English—how beautiful the were. Are you a Contessa? she asked me. But she didnt like Italian country either. They seem stinted, dried up; like grasshoppers, & with the manners of impoverished gentle people, sad, wise tolerant, humorous. There was the man with the mule. He let the mule gallop away down the road. We are welcome, because we might talk; they draw round & discus us after we’re gone. Crowds of gentle kindly boys & girls always come about us, & wave & touch their hats. And nobody looks at the view—except us—at the Euganean, bone white, this evening: then there’s a ruddy re far or two; & light islands swimming here & there in the sea of shadow—for it was very showery—then there are the black stripes of cypresses round the farms; like fur ridges; & the poplars, & the streams & the nightingales singing & sudden gusts of orange blossom; & white alabaster oxen, with swinging chins—great flaps of white leather hanging under their noses—& infinite emptiness, loneliness, silence: never a new house, or a village; but only the vineyards & the olive trees, where they have always been. The hills go pale blue, washed very sharp & soft on the sky; hill after hill;
Friday 19 May
Piacenza Its a queer thing that I write a date. Perhaps in this disoriented life one thinks, if I can say what day it is, then . . . Three dots to signify I dont know what I mean. But we have been driving all day from Lerici over the Apennines, & it is now cold, cloistral, highly uncomfortable in a vast galleried Italian inn [Croce Bianca], so ill provided with chairs that now at this presen moment we are squatted, L. in a hard chair by his bed, I on the bed, in order to take advantage of the single light which burns between us. L. is writing directions to the Press. I am about to read Goldoni.
Lerici is hot & blue & we had a room with a balcony. There were Misses [?] & Mothers—misses [?] who had lost all chance of life long ago, & could with a gentle frown, a frown of mild sadness, confront a whole meal—arranged for the English—in entire silence, dressed as if for cold Sunday supper in Wimbledon. Then there’s the retired Anglo-Indian, who takes shall we say Miss Touchet for a walk, a breezy red faced man, very fond of evensong at the Abbey. She goes to the Temple; where ‘my brother’ has rooms. Et cetera Et cetera.
Of the Apennines I have nothing to say—save that up on the top theyre like the inside of a green umbrella: spine after spin: & clouds caught on the point of the stick. And so down to Parma; hot, stony, noisy; with shops that dont keep makes & so on along a racing road to Piancenza, at which we find ourselves now at 6 minutes to 9 P.M. This of course is the rub of travelling—this is the price paid for the sweep & the freedom—the dusting of our shoes & careering off tomorrow—& eating out lunch on a green plot beside a deep cold stream. It will all be over this day week—comfort & discomfort; & the zest & rush that no engagements, hours, habits give. Then we shall take them up again with more than the zest of travelling.
[Sunday 21 May]
To write to keep off sleep—that is the exalted mission of tonight—tonight sitting at the open window of a secondrate inn in Draguignan—with plane trees outside, the usual single noted bird, the usual loudspeaker. Everyone in France motors on Sunday; then sleeps it off at night. The hotel keepers are gorged, & scarcely stop playing cards. But Grasse was too plethoric—we came on here late. We leave here early. I dip into Creevey; L. into Golden Bough. We long for bed. This is the tax for travelling—these sticky uncomfortable hotel nights—sitting on hard chairs under the lamp. But the seduction works as we start—to Aix tomorrow—so home— And ‘home’ becomes a magnet, for I cant stop making up The P.s: cant live without that intoxicant—though this is the work—ungrateful that I am!—& yet I want the hills near Fabbria too, & the hills near Siena—but no other hills—not these black & green violent monotonous Southern hills— We saw poor Lawrence’s Phoenix picked out in coloured pebbles at Vence today, among all the fretted lace tombs.
Tuesday 23 May
I have just said to myself if it were possible to write, those white sheets would be the very thing, not too large or too small. But I do not wish to write, except as an irritant. This is the position. I sit on L.’s bed; he in the only armchair. People tap up & down on the pavement. This is Vienne. it is roasting hot—hotter & hotter it gets—& we are driving through France; & its Tuesday & we cross on Friday & this strange interval of travel of sweeping away from habitations & habits will be over. On & on we go—through Aix, through Avignon, on & on, under castles, beside vines: & I’m thinking of The Pargiters; & L. is driving; & when we come to poplars, we get out & lunch by the river; & then on; & take a cup of tea by the river, fetch our letters, learn that Lady Cynthia Mosley is dead; picture the scene; wonder at death; & drowse & doze in the heat, & decide to sleep here—hotel de la Poste; & read another letter, & learn that the Book Society will probably take Flush, & speculate what we shall do if we have £1,000 or £2,000 to spend. And what would these little burghers of Vienne, who are drinking coffee do, with that sum, I ask? The girl is a typist; the young men clerks. For some reason they start discussing hotels at Lyons, I think; & they havent a penny piece between them; & all men go into the urinal, one sees their legs; & the Morocco soldiers go in their great cloaks; & the children play ball, & people stand lounging, & everything becomes highly pictorial, composed, legs in particular—the odd angles they make, & the people dining in the hotel; & the queer air it all has, since we shall leave early tomorrow, of something designing [?] Vienne on my mind, significantly. Now the draw of home, & freedom, & no packing tells on us—oh to sit in an arm chair, & read & not have to ask for Eau Minerale with which to brush our teeth!
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May 1933: The Woolfs’ Trip to France and Italy

Throughout the month of May in 1933, Woolf took a trip through the continent, visiting several different cities in France and Italy. As in my previous transcription of a day in Woolf’s trip to Greece, this month of Woolf’s diary-keeping contains some of her best entries. The following are entries Woolf made on loose-leaf paper later inserted into her diary:
Tuesday 9 May
Juan les Pins
Yes, I thought: I will make a note of that face—the face of the woman stitching a very thin, lustrous green silk a a table in the restaurant where we launched at Vienne. She was like fate—a consummate mistress of all the arts of self preservation: hair rolled & lustrous; eyes so nonchalant; nothing could startle her; there she sat stitching her green silk with people going & coming all the time; she not looking, yet knowing, fearing nothing, expecting nothing—a perfectly equipped middle class French woman.
At Carpentras last night there was the little servant girl with honest eyes, hair brushed in a flop, & one rather black tooth. I felt that life would crush her out inevitable. Perhaps 18. not more; yet on the wheel, without hope; poor, not weak but mastered—yet not enough mastered but to desire furiously travel, for a moment, a car. Ah but I am not rich she said to me—which her cheap little stockings & shoes showed anyhow. Oh how I envy you—able to travel. You like Carpentras? But the wind blows ever so hard. You’ll come again? Thats the bell ringing. Never mind. Come over here & look at this. No, I’ve never seen anything like it. Ah yes, she always like the English (‘She’ was the other maid, with hair like some cactus erection). Yes I always like the English she said. The odd little honest face, with the black tooth, will stay on at Carpentras I supposed: will marry? Will become one of those stout black women who sit in the door knitting? No: I foretell for her some tragedy; because she had enough mind to envy us the Lanchester.
Thursday 11 May
Rapallo
Yesterday there was Miss Cotton. She is one of the army of spinsters, on half or quarter par. She finds she can live at Diano Marina for 8/- a day. Her friends say But what is there to do? She says, of there are the beauties of nature. She burst out, directly she came in to dinner, dressed in greenish dressing gown: by her side the dour Miss Thread. How was France? Was it cheap? Oh it was Liberty Hall here. Then she described the wife, the husband, of the inn: & the servants; & how there had once been an Earthquake. Meanwhile came in the 2 guests [?] in evening dress, the deaf lady & the voluble; also the powdered white lady with the read scarf: & after dinner—they often give us asparagus, she said—& they had their own bottles of wine—the two parties settled in at their own tables—where they are now & played bridge. Now this half pay spinster will dwindle on, beside the sea under the mountain, chatting, till she dies.
No we dont like the French Riviera, or the Italian much; but if it has to be, Rapallo does it best: its bay stretched with gold silk this evening, humming scented villas; all orange blossom. Quiet women reading to children, little boats, high cliffs; a sauntering indolent luxurious evening place, where once might spend ones last penny; grown old.
But we don’t like these villas—like the Bussys’—laid like eggs on ledges, so that you cant go up or down but must merely sit, & for ever behold the sea & the roof of the Casino. Dorothy & Janie taking their coffee like ladies in a perfectly neat, spaced, yellow room with a large leaved tree outside;—the tree Dorothy & Simon planted 30 years ago. But we dont wish to live here, shredding out our days, in these scented villas, sauntering round the harbour.
Friday 12 May
Pisa
Yes Shelley chose better than Max Beerbohm. He chose a harbour; a bay; & his home, with a balcony, on which Mary stood, looks out across the sea. Sloping sailed boats were coming in this morning—a windy little town, of high pink & yellow Southern houses, not much changed I supposed; very full of the breaking waves, very much open to the sea; & the rather desolate house standing with the sea just in front. Shelley, I suppose, bathed, walked sat on the beach there; & Mary & Mrs Williams had their coffee on the balcony. I daresay the clothes & the people were much the same. At any rate, a very good great man’s house in its way. What is the word for full of the sea? Cant think tonight, sky high in a bedroom at the Nettuno in Pisa, much occupied by French tourists. The Arno swimming past with the usual coffee coloured foam. Walked in the Cloisters; that this true Italy, with the old dusty smell; people swarming in the streets; under the—what is the word for—I think the word for a street that has pillars is Arcade. Shelley’s house waiting by the sea, & Shelley not coming, & Mary & Mrs Williams watching from the balcony & then Trelawney coming from Pisa, & burning the body on the shore—thats in my mind. All the colours here are white bluish marble against a very light saturated sky. The tower leaning prodigiously. Clerical beggar at the door in a mock fantastic leather had. The clergy walking.
It was in these cloisters—Campo Santo—that L. & I walked 21 years ago & met the Palgraves & I tried to hide behind the pillars. And now we come in our car; & the Palgraves—are they dead, or very old? Now at any rate we have left the black country, the bald necked vulture country with its sprinkling of redroofed villas. This is the Italy one used to visit in a railway train with Violet Dickinson—taking the hotel bus.
Saturday 13 May
Siena
Today we saw the most beautiful of views & the melancholy man. The view was like a line of poetry that makes itself; the shaped hill, all flushed with reds & greens; the elongated lines, cultivated every inch; old, wild, perfectly said, once & for all: & I walked up to a group & said What is that village? It called itself [blank in ms]; & the woman with the blue eyes said wont you come to my house & drink? She was famished for talk. Four or five of them buzzed round us, & I made a Circeronian speech, about the beauty of the country. But I have no money to travel with, she said, wringing her hands. We would not go to her house—or cottage on the side of the hill, & shook hands; hers were dusty; she wanted to keep them from me; but we all shook hands, & I wished we had gone to her house, in the loveliest of all landscapes. Then, lunching by the river among the ants, we met the melancholy man. He had five or six little fish in his hands, which he had caught in his hands. We said it was very beautiful country; & he said no, he preferred the town. He had been to Florence; no, he did not like the country. He wanted to travel, but had no money: worked at some village; no he did not like the country, he repeated, with his gentle cultivated voice; no theatres, no pictures, only perfect beauty. I gave him 2 cigarettes; at first he refused, then offered us his 6 or 7 little fish. But we could not cook them at Siena, we said. No, he agreed; & so we parted.
It is all very well, saying one will write notes but writing is a very difficult art. That is one had always to select; & I am too sleepy, & hence merely run sand through my fingers. Writing is not in the least an easy art. Thing what to write, it seems easy; but the thought evaporates, runs hither & thither. Here we are in the noise of Siena—the vast tunneled arched stone town, swarmed over by chattering shrieking children.
Monday 15 May
This should be all description—I mean of the little pointed green hills; & the white oxen, & the poplars, & the cypresses, & the sculptured shaped infinitely musical, flushed green land from here to Abbazia—that is where we went today; & couldn’t find it, & asked one after another of the charming tired peasants, but none had been 4 miles beyond their range, until we came to the stone breaking, & he knew. He could not stop work to come with us, because the inspector was coming tomorrow. And he was alone, alone, all day with no one to talk to. So was the aged Maria at the Abbazio. And she mumbled & mumbled, about the English—how beautiful the were. Are you a Contessa? she asked me. But she didnt like Italian country either. They seem stinted, dried up; like grasshoppers, & with the manners of impoverished gentle people, sad, wise tolerant, humorous. There was the man with the mule. He let the mule gallop away down the road. We are welcome, because we might talk; they draw round & discus us after we’re gone. Crowds of gentle kindly boys & girls always come about us, & wave & touch their hats. And nobody looks at the view—except us—at the Euganean, bone white, this evening: then there’s a ruddy re far or two; & light islands swimming here & there in the sea of shadow—for it was very showery—then there are the black stripes of cypresses round the farms; like fur ridges; & the poplars, & the streams & the nightingales singing & sudden gusts of orange blossom; & white alabaster oxen, with swinging chins—great flaps of white leather hanging under their noses—& infinite emptiness, loneliness, silence: never a new house, or a village; but only the vineyards & the olive trees, where they have always been. The hills go pale blue, washed very sharp & soft on the sky; hill after hill;
Friday 19 May
Piacenza Its a queer thing that I write a date. Perhaps in this disoriented life one thinks, if I can say what day it is, then . . . Three dots to signify I dont know what I mean. But we have been driving all day from Lerici over the Apennines, & it is now cold, cloistral, highly uncomfortable in a vast galleried Italian inn [Croce Bianca], so ill provided with chairs that now at this presen moment we are squatted, L. in a hard chair by his bed, I on the bed, in order to take advantage of the single light which burns between us. L. is writing directions to the Press. I am about to read Goldoni.
Lerici is hot & blue & we had a room with a balcony. There were Misses [?] & Mothers—misses [?] who had lost all chance of life long ago, & could with a gentle frown, a frown of mild sadness, confront a whole meal—arranged for the English—in entire silence, dressed as if for cold Sunday supper in Wimbledon. Then there’s the retired Anglo-Indian, who takes shall we say Miss Touchet for a walk, a breezy red faced man, very fond of evensong at the Abbey. She goes to the Temple; where ‘my brother’ has rooms. Et cetera Et cetera.
Of the Apennines I have nothing to say—save that up on the top theyre like the inside of a green umbrella: spine after spin: & clouds caught on the point of the stick. And so down to Parma; hot, stony, noisy; with shops that dont keep makes & so on along a racing road to Piancenza, at which we find ourselves now at 6 minutes to 9 P.M. This of course is the rub of travelling—this is the price paid for the sweep & the freedom—the dusting of our shoes & careering off tomorrow—& eating out lunch on a green plot beside a deep cold stream. It will all be over this day week—comfort & discomfort; & the zest & rush that no engagements, hours, habits give. Then we shall take them up again with more than the zest of travelling.
[Sunday 21 May]
To write to keep off sleep—that is the exalted mission of tonight—tonight sitting at the open window of a secondrate inn in Draguignan—with plane trees outside, the usual single noted bird, the usual loudspeaker. Everyone in France motors on Sunday; then sleeps it off at night. The hotel keepers are gorged, & scarcely stop playing cards. But Grasse was too plethoric—we came on here late. We leave here early. I dip into Creevey; L. into Golden Bough. We long for bed. This is the tax for travelling—these sticky uncomfortable hotel nights—sitting on hard chairs under the lamp. But the seduction works as we start—to Aix tomorrow—so home— And ‘home’ becomes a magnet, for I cant stop making up The P.s: cant live without that intoxicant—though this is the work—ungrateful that I am!—& yet I want the hills near Fabbria too, & the hills near Siena—but no other hills—not these black & green violent monotonous Southern hills— We saw poor Lawrence’s Phoenix picked out in coloured pebbles at Vence today, among all the fretted lace tombs.
Tuesday 23 May
I have just said to myself if it were possible to write, those white sheets would be the very thing, not too large or too small. But I do not wish to write, except as an irritant. This is the position. I sit on L.’s bed; he in the only armchair. People tap up & down on the pavement. This is Vienne. it is roasting hot—hotter & hotter it gets—& we are driving through France; & its Tuesday & we cross on Friday & this strange interval of travel of sweeping away from habitations & habits will be over. On & on we go—through Aix, through Avignon, on & on, under castles, beside vines: & I’m thinking of The Pargiters; & L. is driving; & when we come to poplars, we get out & lunch by the river; & then on; & take a cup of tea by the river, fetch our letters, learn that Lady Cynthia Mosley is dead; picture the scene; wonder at death; & drowse & doze in the heat, & decide to sleep here—hotel de la Poste; & read another letter, & learn that the Book Society will probably take Flush, & speculate what we shall do if we have £1,000 or £2,000 to spend. And what would these little burghers of Vienne, who are drinking coffee do, with that sum, I ask? The girl is a typist; the young men clerks. For some reason they start discussing hotels at Lyons, I think; & they havent a penny piece between them; & all men go into the urinal, one sees their legs; & the Morocco soldiers go in their great cloaks; & the children play ball, & people stand lounging, & everything becomes highly pictorial, composed, legs in particular—the odd angles they make, & the people dining in the hotel; & the queer air it all has, since we shall leave early tomorrow, of something designing [?] Vienne on my mind, significantly. Now the draw of home, & freedom, & no packing tells on us—oh to sit in an arm chair, & read & not have to ask for Eau Minerale with which to brush our teeth!
submitted by missmovember to woolf [link] [comments]

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